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TIME: Almanac 1995
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TIME Almanac 1995.iso
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0625474.000
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<text id=90TT1670>
<title>
June 25, 1990: Why Spy?
</title>
<history>
TIME--The Weekly Newsmagazine--1990
June 25, 1990 Who Gives A Hoot?
</history>
<article>
<source>Time Magazine</source>
<hdr>
BOOKS, Page 69
Why Spy?
</hdr>
<body>
<qt>
<l>THE INNOCENT</l>
<l>by Ian McEwan</l>
<l>Doubleday; 271 pages; $18.95</l>
</qt>
<p> For the past several months, readers and publishers have
been mourning the end of the cold war. Fine for the future of
mankind, of course, but it means curtains for that sturdy
subindustry, the espionage thriller. Goodbye to the Berlin
Wall? A bitter thought. And what of double agents? No one still
believes their entrapments occurring in the Middle East, where
messages are not coded but exploded.
</p>
<p> The Innocent may be remembered not only as deft, taut
fiction, but also as the book that showed the way out of the
quagmire of glasnost. Ian McEwan, a British novelist who is a
breathtaking master of nasty fiction (The Cement Garden), as
well as a few sentimental excursions (The Child in Time), has
written a blueprint for the future of the genre. The key is not
in nostalgia, evoking the bleak era when real men wore
raincoats, but in the brisk assumption of a '90s vantage point,
leaving the author free to make all kinds of moral and social
comments--rather like choreographing the doings at an ant
farm.
</p>
<p> McEwan's story is set in Berlin in 1955, when the cold war
was in full swing. The innocent of the title is Leonard
Marnham, 25, a British post-office technician who is drafted
into an undercover operation in which the allies are
cooperating. And undercover is the accurate word; they are
digging a tunnel in the Russian sector to pick up Soviet
signals. Leonard loves his work. After living a cramped life in
Tottenham, he relishes the rooms "big as meadows" in his
government-issue flat and the hip manners of his co-workers.
He soon learns that "you did not speak to people unless their
work was relevant to yours. The procedure evolved, partly...out of a concern for security and partly out of a certain
virile cult of competence."
</p>
<p> Leonard's chief adviser is a fine comic creation, an
American named Glass, who sees a spy lurking on every barstool.
On one pub crawl, they meet a pretty German divorcee named
Maria, and she and Leonard begin an idyllic affair in which
they make up their own rules of behavior. But one night, for
reasons quite obscure to him, he acts sadistically, and their
romance becomes more conventional.
</p>
<p> How Leonard ends up with two cruelly heavy suitcases filled
with human remains is the climax of The Innocent, told with all
McEwan's frigid skill. The last part of the book is a hilarious
account of the young man's attempts to rid himself of his
obnoxious burden. The cases won't fit in railway lockers. A dog
smells their contents and tries frantically to avenge the
canine species for centuries of subjugation. Finally exhausted,
Leonard draws the vultures of both security and treachery to
the tunnel.
</p>
<p> Many English writers have been compared to Evelyn Waugh,
often wrongly, but this book can stand with the master's best,
at least for its sheer, mirthful heartlessness. The author caps
his tale with an insouciant coda that envisions his middle-age
hero thinking of a return to the Wall, "before it was all torn
down."
</p>
<p>By Martha Duffy.
</p>
</body>
</article>
</text>